Comedy horror is a literary and film genre which combines elements of comedy and horror fiction. Comedy horror was described as capable to be categorized under three kinds:”black comedy, parody and spoof.” Often it spans over with the black comedy genre. Comedy horror may also parody or subtly recite terror clichés because its chief source of humor or use those components to have a story in another way, such as in The Cabin in the Woods or even Tucker & Dale vs. Evil.
Writer Bruce G. Hallenbeck cites the brief story”The Legend of Sleepy Hollow” by Washington Irving as”the first great comedy horror tale”. The narrative created readers”laugh at one minute and shout another”, and its assumption was founded on mischief generally discovered throughout the holiday Halloween.
Horror and comedy have been correlated with each other as the ancient days of horror books. After the novel of Frankenstein parodies appeared. Edgar Allan Poe placed terror and comedy and nineteenth century writers used comedy that is black . Writer Robert Bloch called them”opposite faces of the exact same coin”.
In comedy horror film, gallows humor is a frequent element. While comedy horror films provide scares for viewers, they also give some thing which dramatic horror films don’t:”the consent to laugh at your fears, to whistle past the cinematic graveyard and feel safe in the knowledge that the critters can not get you”.
At the era of silent film, the source material for premature comedy horror films came in point performances rather than literature. 1 instance, The Ghost Breaker (1914), was predicated on a 1909 drama, although the film’s horror components were much more interesting to the viewers than the comedy components. In the USA after World War my trauma, film audiences hunted to see terror but tempered with humor. The”pioneering” comedy horror film was One Exciting Night (1922), composed, directed, and produced by D. W. Griffith, who detected the point success of this genre and also foresaw a cinematic interpretation. While the film contained performances, Griffith also contained footage of a hurricane. As an experimentation, the genres weren’t well-balanced with terror and comedy, and films enhanced the equilibrium and took approaches. Charles Bramesco of all Vulture.com identifies Abbott and Costello Meet Frankenstein since the first commercially successful comedy horror film. Its achievement recognized it as viable and legitimized the genre.